Sunday, January 19, 2020

Black Sands EPs





(Black Sand/Bandcamp)
Black Sand - The Reverberation EP

This EP is so damn good that I can't pick any highlights off of it. Hazy psychedelic/shoegaze with smooth, dry production. Cannot stop listening and picking up on new nuances in the music. Highly Recommended.

self-released/2017


Black Sand - Endless Blue

"Don't Throw It All Away" is simply breathtaking, and head and shoulders above the rest of the tracks here. While the other songs follow a similar formula, the repeating arpeggiated riff and warm bass propel it forward at a blissful and languid pace.

self-released/2018

Black Sand - Around The Sun 

Absolutely beautiful psychedelic/space rock. "Heaven" is a laid back Spiritualized/Jesus and Mary Chain groove that will lull you into your best mindset. 

self-released/2019

Black Sand - Kaleidoscope EP 

"For The Longest Time" is an epic tune stretching through the desert with backwards guitars, a warm bassline, and a tight drumbeat. Modern psychedelic for the ages. 

self-released/2019 

Thursday, July 26, 2018

Sarah Jarosz - Undercurrent



Sarah Jarosz - Undercurrent
By
Jesse E. Mullen


Really beautiful album that deals with themes of maturation, and the difficulties that come with living in your early 20s. The instrumentation is exquisite, and Sarah is quite gifted, playing several of the parts herself. The vocals are excellent throughout, and fit the somber mood of the record. Her voice is like honey on top of the lush melodies she conjures. This album is truly a folk/alt country gem, and I believe anyone hearing it for the first time will marvel at Jarosz' dark yet hopeful songwriting, and clever arrangements. Growing up isn't easy, but this gives me something to latch onto amidst the confusion of it.
Sugar Hill/2016

Sunday, February 25, 2018

Kindling - Hush



Kindling - Hush
By
Jesse E. Mullen



An all-around terrific album from Massachusetts quintet Kindling. Opener "For Olive," and its delicious chord progressions will stick in your head for days. "Wait" and "Rain" are also highlights that show the softer side of the group. And while "Better World" is almost a sequel to "For Olive" in tone, it makes up for the reuse of the chord progression with a passionate performance from all involved. The two singers sound better than ever before, and their guitars are even more forceful (on the heavier tracks), while being more restrained in all the right ways (on the slower tracks.) Highly Recommended.
6131 Records/2017

Tuesday, December 12, 2017

My favorite releases of 2017



My favorite releases of 2017;

Albums:
Conor Oberst – Salutations When I heard that Conor Oberst was re-recording several of the songs from the Ruminations album, I was intrigued if slightly confused; Here was an album of stripped down songs with an emotionally naked set of lyrics. However, once I heard the finished product I was seriously impressed. Turns out the band arrangements only enhance what he was trying to do with them. “Barbary Coast” and “Next of Kin” are the highest of highlights, on an album full of great songs.
Dirt Devil – Demo Cassette I stumbled upon this band last year, when they played at my local video store. Although they had only released one song at that point to the public, their brand of shoegazing suited my ears nicely. These four tracks have the same feeling for me, and I was really pleased to hear that they recorded a full length album later on. (Though I did not buy it yet)
The Feelies – In Between The Feelies return with another album of dreamy post-punk. I’ve always thought that these guys have a different take on what they do, and this album is no exception.
Jim O’Rourke – Steamroom 31 This is a recording in Jim O’Rourke’s instrumental bandcamp series Steamroom (named after his Tokyo studio), and while it may not be for everyone, I’ve found this to be great music for reading, writing or meditating to.
METZ – Strange Peace A noisepop album with the emphasis on “pop.” Even at their loudest, the melodies shine through, and give the album a kind of bubblecore feel. (Yes, I made up a word here.)
The New Year – Snow After a ten year gap between albums, The New Year return with one of their strongest releases. (Did they ever put out a bad album?) One of my favorite slowcore bands, and possibly one of my favorites of any genre.
Noel Gallagher’s High Flying Birds – Who Built The Moon? While I was definitely down on Oasis for a few years, I’ve lately been back on a Gallagher brothers kick.
Ray Davies – Americana This album took me by surprise. I say that, because Davies normally draws from a decidedly more British set of influences. But it turns out that he can pull off the American country/folk sound and lyrical style as well as he can the styles native to dear old blighty.
Soccer Mommy – Collection Sophie is quite brilliant. I saw this group open for Slowdive in November, and was blown away. “Inside Out” is a great introduction to the group.
Sun Kil Moon – Common As Light A LOOOOOONNNNG album. If you’re familiar with Mark’s style, and have an afternoon to kill, give it a listen. “Sarah Lawrence College Song” and “I Love Portuagal” are two songs that exemplify the styles of the album.
Tara Jane O’Neil – S/T When this album came out, I was cautiously optimistic because although I’ve been a fan of her work for quite some time, I wasn’t overly impressed with her previous album. This album however, is a return the somberly optimistic Post-Rock/Folk blend that she has successfully mined since the mid ‘90s.
Tobin Sprout – The Universe and Me When I heard the announcement for this album I was very excited. Tobin hadn’t released a solo album in seven years. And it turned out that my excitement was justified; This record seems to be an effortless fusion of melodies and noise. “Future Boy Today/Man of Tomorrow,” the title track, “When I Was a Boy” and “Heart of Wax” are the highlights for me.
Wire – Silver/Lead As a band that has been around for forty years (!!!), Wire came to be one of the pioneering bands of Post-Punk. They’ve released many strong albums across every era of the group (they’ve gone on hiatus a few times), so for anything new to come out and be more than just a footnote is impressive. With Silver/Lead, they’ve crafted an album reminiscent of early masterpieces Chairs Missing and 154, combined with a production style more akin to dreampop. “Short Elevated Period” and “Forever and a Day” are my favorite tracks.

EPs:
Littlefoot – Lavender This gem of an EP was a favorite of mine from the moment I received an advance copy. Combining surf and dreampop influences, the album is just the kind of warmth needed for the coming months of New England weather. Erica is a genius, and should be heard the world over. Favorite tracks include “Feel Better,” the summery “Nervous Nelly” and “Honeymoon,” which is on my personal list of top dreampop songs.
Snail Mail – Audiotree Live Session This release is a strong followup to Snail Mail’s debut EP. “Thinning” and “Slug” are still the wistful highlights for me.
Soccer Mommy – Audiotree Live Session See above in albums^
Virtual Perfection Cowboy – A Broken Mirror A solo ambient EP by the second guitarist in Littlefoot. Dash creates dreamscapes that conjure a strong mix of emotions. All of his stuff is great, but this EP was my favorite of the releases on his bandcamp.

Singles:
Palehound – Sea of Blood This release took me by surprise. Having missed out on the new Palehound album (shame on me), I was impressed with the jangly tones now coming from Kempner’s guitar. While all Palehound is good Palehound, every release should be treasured.
Two Souls – Forever Demi is quite the shoegazing composer. Beautiful and frightening sounds, with blissed-out vocals.
Wildhoney – Horror Movie What a single! Swathed in reverb and delay, the A-Side takes a jangly guitar and a gorgeous vocal, and pairs it with quite the despairing tale of emotional torment. The B-Side is almost jazz-like in its reinterpretation of Shoegazing. My single of the year.